Blank City
Thurs. January 19 - Sat. January 21 / 7:30 PM

WHERE The Light Factory
345 N. College Street
ADMISSION $5 Members / $7 Non-Members

In a broke, crime-ridden NYC, underground filmmakers, experimental musicians and cutting-edge artists created the 70’s most provocative work.

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Directed by Céline Danhier [2010]
USA / Color / English
Not rated; 95 min

BLANK CITY tells the long-overdue tale of a disparate crew of renegade filmmakers who emerged from an economically bankrupt and dangerous moment in New York history. From the late 1970′s through the mid 80′s, when the city was still a wasteland of cheap rent and cheap drugs, these directors crafted daring works that would go on to profoundly influence the development of independent film as we know it today.

BLANK CITY weaves together an oral history of the “No Wave Cinema” and “Cinema of Transgression” movements through compelling interviews with the luminaries who began it all. Featured players include acclaimed directors Jim Jarmusch and John Waters, actor-writer-director Steve Buscemi, Blondie’s Debbie Harry, hip-hop legend Fab 5 Freddy, Thurston Moore of Sonic Youth, photographer Richard Kern as well as Amos Poe, James Nares, Eric Mitchell, Susan Seidelman, Beth B, Scott B, Charlie Ahearn and Nick Zedd. Fittingly, the soundtrack includes: Patti Smith, Television, Richard Hell & The Voidoids, The Contortions, The Bush Tetras, Sonic Youth and many more.

 

Made on shoestring budgets in collaboration with the pioneering musicians, visual artists, performers, and derelicts that ruled Downtown, the films surveyed in BLANK CITY are fitting documents of an exhilarating and unique cultural moment. This same legendary-but-fleeting period likewise birthed punk rock, hip-hop and Madonna, and brought New York City to the forefront of the international art world. Unlike the revered musical revolution of this era, this epoch of underground film has never before been chronicled.

BLANK CITY is a love letter to New York, a cultural portrait of Manhattan in the days before Reagan, big money, and gentrification forever altered the fabric of the city. Though a look back, the heart of BLANK CITY does not live in the past. In this new age of digital democracy, the maverick spirit of the New York Underground has risen again in emerging creative communities worldwide. The Do-It-Yourself ethos, audacious storytelling, and sense of urgency guiding “No Wave” and the “Cinema of Transgression” are more relevant and inspiring than ever.

 

“‘Blank City’ provides a vivid, vicarious tour…[Ms. Danhier] illuninates a hectic and fascinating place and time, bringing it back to life and tracing its continuing influence…”

“The point of ‘Blank City’ is neither to celebrate the ones who made it big nor to scold the sellouts. The movie aims, rather, to evoke a moment in as much detail and with as much insight as will fit into 95 minutes. In this it succeeds beautifully.”
Read more in the NYT

- A.O. Scott, New York Times

“It’s high time someone chronicled the fertile underground film scene” (read more here)

- David Fear, TimeOut New York

“Blank City is the first movie to tell the definitive story of the downtown New York film scene in the late ’70s and early ’80s. The overlapping art, music and film movement boomed with the city’s cheap rent, the artists’ disregard for money and technique, a general nihilist spirit and plenty of drugs.” (read more here)

- Kelley Hoffman, W Magazine

“[A] passionate chronicle of cinematic rebellion…A smoldering and riotous work about a time when art seemed dangerous, while leaving open the possibility that it could be so again.”(read more here)

- Chris Barsanti, Film Journal